From physical modeling and FAUST to GeoShred
From physical modeling and FAUST to GeoShred
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From physical modeling and FAUST to GeoShred

From physical modeling and FAUST to GeoShred

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GeoShred String Physical Model Features

GeoShred String Physical Model Features

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Romain Michon: Faust Physical Modeling Library

Romain Michon: Faust Physical Modeling Library

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PAW 2021_TALK : Mesh2faust: From 3D Meshes to Faust Physical Models

PAW 2021_TALK : Mesh2faust: From 3D Meshes to Faust Physical Models

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CCRMA Faust Workshop 2015 - Part 11: Introduction to Physical Modeling

CCRMA Faust Workshop 2015 - Part 11: Introduction to Physical Modeling

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The NESS Project: Percussion Synthesis

The NESS Project: Percussion Synthesis

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The Future of Synthesis - Physical Modeling and Expressive Musical Instruments | NAMM 2020

The Future of Synthesis - Physical Modeling and Expressive Musical Instruments | NAMM 2020

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DEMO: Physical Model of a Stiff String - JUCE App Implementation

DEMO: Physical Model of a Stiff String - JUCE App Implementation

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Real time physical models for sound synthesis

Real time physical models for sound synthesis

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FPMW • James leonard and Jérôme Villeneuve

FPMW • James leonard and Jérôme Villeneuve

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Recording MIDI in GeoShred using iConnect4+ and Logic Pro X

Recording MIDI in GeoShred using iConnect4+ and Logic Pro X

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DAFx17 Keynote 1: Julius Smith - History of Virtual Musical Instruments Based on Physical Modeling

DAFx17 Keynote 1: Julius Smith - History of Virtual Musical Instruments Based on Physical Modeling

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Physical Modeling

Physical Modeling

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Playing with GeoShred (És Difícil -- La Bossa d'Urina)

Playing with GeoShred (És Difícil -- La Bossa d'Urina)

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GeoShred : January 2016 C Major Leads

GeoShred : January 2016 C Major Leads

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Geoshred Impro

Geoshred Impro

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Messin with GeoShred

Messin with GeoShred

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Julius smith

Julius smith

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When Technology Meets Music - A Coffee With Pat Scandalis

When Technology Meets Music - A Coffee With Pat Scandalis

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Using Filters to Sculpt Sound with Subtractive Synthesis in Faust | Stanford

Using Filters to Sculpt Sound with Subtractive Synthesis in Faust | Stanford

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